RIIZE Announces “D-D-Done” Pre-Recording Participation for SBS “Inkigayo” Ahead of 6/21

RIIZE set to appear in SBS “Inkigayo” pre-recording on June 21

RIIZE will participate in a pre-recording for an upcoming SBS “Inkigayo” segment featuring the performance of their track “D-D-Done.” According to a fan notice shared via Weverse, the pre-recording is scheduled for Sunday, June 21, with the goal of preparing the show’s broadcast lineup in advance.

Why pre-recordings matter for fans and broadcast schedules

In K-pop broadcasting, pre-recordings allow production teams to lock in stage setups—such as camera angles, choreography blocking, and audio mixing—before the live or scheduled broadcast. For artists, this can reduce variables on the day of filming, helping ensure the performance matches choreography plans and visual requirements.

For fans, the announcements are often tightly tied to real-time engagement. Even when the audience does not see the full broadcast immediately, participating in pre-recording events can provide a more direct experience of how performances are staged, filmed, and finalized.

“D-D-Done” and RIIZE’s continued momentum

While the notice primarily focuses on logistics, it also signals that RIIZE’s promotional cycle around “D-D-Done” remains active. “Inkigayo” is a key weekly music program in South Korea, and participation typically reflects a track’s ongoing rotation on broadcast stages—an important factor for maintaining visibility among audiences.

“D-D-Done” joining the Inkigayo lineup suggests the group is continuing to expand its presence in mainstream entertainment channels beyond digital releases and social media clips. These appearances can also influence chart performance indirectly by driving additional streaming interest after televised performances.

What to watch next: broadcast timing and stage content

The next step for fans will be the official “Inkigayo” broadcast date and timing following the June 21 pre-recording. Viewers typically look for the final edited version of the stage, including camera work and any additional broadcast-specific elements such as host commentary and segment transitions.

Additionally, fans will likely watch for whether RIIZE debuts new stage styling—commonly seen when groups prepare revisions for different music shows—or maintains the same choreography and outfit concept used across other recent performances.

Fan-focused coordination via Weverse continues

Weverse has increasingly functioned as a central hub for announcements, ranging from promotional schedules to filming details and participation guidance. In this case, the platform’s notice helps synchronize fan expectations with production timelines, reducing uncertainty around when and how artists will appear on major broadcast programs.

As RIIZE moves from pre-recording to broadcast delivery, the focus will shift from attendance logistics to performance reception—how the stage lands with audiences and what it signals about the group’s next promotional moves.