BLACKPINK’s Jennie Reaches No. 5 on Billboard Hot 100 With Tame Impala Remix

BLACKPINK’s Jennie has reached a new solo peak on the Billboard Hot 100, with her Tame Impala remix of “Dracula” rising to No. 5 on the latest chart.

Billboard announced the new ranking on July 13 local time, according to Soompi. The Hot 100 measures the most popular songs in the United States, and a top-five placement marks one of the most visible benchmarks for any artist seeking a mainstream foothold in the American market.

For Jennie, the result is also a notable point in K-pop chart history. She is now only the second female K-pop artist to enter the Hot 100’s top five. The first was her BLACKPINK bandmate Rosé, whose Bruno Mars collaboration “APT.” reached No. 3 last year.

The achievement gives BLACKPINK a rare double presence in this specific record book: two members of the same group have now reached the upper tier of the United States’ flagship songs chart as solo artists. That distinction reinforces how the group’s individual projects continue to operate as major global pop events even outside full-group promotions.

A Solo Milestone With Group-Level Resonance

Jennie’s rise with “Dracula” comes at a time when K-pop solo releases are being judged not only by fan-driven opening numbers, but by whether they can sustain attention across radio, streaming, and wider public listening. A No. 5 Hot 100 position suggests that the remix has crossed beyond a single-platform moment into broader chart momentum.

The Tame Impala connection is part of the song’s wider pop appeal. By pairing Jennie’s profile with a collaborator strongly associated with alternative and psychedelic pop, the remix sits in a space that can reach K-pop listeners while also drawing attention from audiences who follow international pop, dance, and alternative-leaning releases.

That crossover framing is reflected in the song’s performance outside the Hot 100. Soompi reported that “Dracula” spent a second consecutive week at No. 1 on Billboard’s Pop Airplay chart, which tracks weekly plays on mainstream Top 40 radio stations in the United States.

The single also remained at No. 1 on the Hot Dance/Electronic Songs chart, the Hot Rock & Alternative Songs chart, and the Dance Streaming Songs chart. Those results point to a release that is not being carried by one category alone, but is instead registering across several lanes of Billboard’s chart system.

Radio, Streaming, and Global Reach

Radio performance is especially important for a K-pop soloist aiming for durability in the U.S. market. While fandom activity can create strong debuts, continued radio play can help a song stay visible to casual listeners. “Dracula” held at No. 3 on Billboard’s Radio Songs chart, which measures weekly airplay across U.S. radio stations in all genres.

The song’s international numbers remained steady as well. It held at No. 6 on both the Billboard Global 200 and the Billboard Global Excl. U.S. chart, indicating that its momentum is not limited to American listeners. The single also climbed to No. 11 in its seventh week on Billboard’s Songs of the Summer chart.

Jennie’s own artist ranking also reflected the wider attention. She appeared at No. 82 on Billboard’s Artist 100 this week, marking her 18th overall week on the chart as a solo artist. The Artist 100 combines several forms of activity, making it a useful signal for how a performer is moving across the broader Billboard landscape.

Taken together, the latest rankings show a solo release gaining strength across multiple measures at once: a top-five Hot 100 peak, sustained pop-radio leadership, continued genre-chart dominance, and steady global placement. For Jennie, it is a career high; for BLACKPINK, it is another example of how the group’s members are shaping K-pop’s presence in mainstream pop markets as individual artists.