TXT’s Yeonjun Sets 2026 Korean Soloist First-Day Sales High With NO LABELS: PART 02

TXT member Yeonjun has opened his latest solo chapter with a sales figure that immediately reshapes the 2026 conversation for Korean solo releases. His new mini album, NO LABELS: PART 02, sold 661,924 copies on its first day, according to Hanteo Chart figures reported after the album’s July 10 release.

The total gives Yeonjun the highest first-day sales for any Korean soloist so far this year. It also means the TXT performer surpassed his own previous first-week benchmark in a single day, turning what would normally be a full tracking-period milestone into an opening-day result.

That earlier personal record stood at 601,105 copies for NO LABELS: PART 01, Yeonjun’s first mini album from last year. By moving past that number almost immediately, NO LABELS: PART 02 signals both strong fandom mobilization and a broad level of anticipation for the follow-up project.

A Solo Comeback With Fast Momentum

Yeonjun released NO LABELS: PART 02 on July 10 at 1 p.m. KST, positioning the project as a direct continuation of the solo identity he began building with the first installment. The new result does not simply show a loyal base returning; it shows that his solo demand has expanded enough to change the scale of expectations around the release.

First-day sales are closely watched in K-pop because they reveal how quickly preorders, fan campaigns, and release-day purchases convert into chart data. A large opening number can shape the tone for the rest of the week, especially when an artist clears a previous first-week total before the tracking period is anywhere near finished.

For Yeonjun, the timing is especially notable because the full first-week count will continue through July 16. That leaves several more days for the album’s final week-one total to climb, giving industry watchers and fans a clearer view of how far his latest solo release can stretch beyond the record it has already passed.

Charts Point Beyond Korea

The album’s early performance was not limited to physical sales. BIGHIT MUSIC reported that by 10 a.m. KST on July 11, NO LABELS: PART 02 had reached No. 1 on iTunes Top Albums charts in at least 11 regions, including Japan, Thailand, and Saudi Arabia. Those quick international placements suggest that the comeback landed with fans across several different music markets almost as soon as it arrived.

The title track, Ice Cream, also moved quickly. It topped iTunes Top Songs charts in at least 10 regions, including the United Arab Emirates, Vietnam, and the Philippines. In Korea, the track debuted at No. 1 on Bugs’ realtime chart on July 10 at 2 p.m. KST, one hour after the album’s release.

Taken together, the physical and digital indicators give the comeback a strong opening profile: a major Hanteo first-day figure, fast overseas iTunes movement, and immediate domestic realtime chart visibility. Each metric measures a different part of the release cycle, but all of them point in the same direction for Yeonjun’s solo brand.

What The Record Means For Yeonjun

Yeonjun has long been one of TXT’s most recognizable performers, with attention across dance, fashion, variety appearances, and stage presence. Solo activity, however, is judged by a different standard. It asks whether an artist can turn individual recognition into sustained music-market performance outside the full group format.

NO LABELS: PART 02 gives a strong answer at the start of that test. By outperforming the first-week number of PART 01 in just one day, the album shows that Yeonjun’s solo releases are not standing still. The audience that followed the first project appears to have grown, and the pace of buying suggests fans were ready to respond as soon as the new music became available.

The next measure will be where the album finishes at the end of its first week and how Ice Cream holds up after the initial comeback surge. For now, Yeonjun has already secured one of the clearest K-pop solo sales headlines of 2026, giving NO LABELS: PART 02 a launch that matches the confidence of its title.