TXT member Yeonjun recorded a new solo career high as NO LABELS: PART 02 sold more than 738,000 copies in its first week.
TXT member Yeonjun has posted the strongest first-week result of his solo career, with his second mini album NO LABELS: PART 02 selling 738,072 copies during its first seven days on the market, according to figures cited from Hanteo Chart.
The result, reported after the album’s July 10 release, gives Yeonjun one of the clearest solo benchmarks in K-pop this year. It also places the project above the opening-week total for NO LABELS: PART 01, which finished its first week with 601,105 copies sold.
That rise matters because first-week sales remain one of the most closely watched measures of organized fandom demand in the Korean music business. For a group member stepping further into an individual catalog, the number shows not only strong preorders and early purchasing, but also a fan base willing to follow a solo identity beyond the framework of TOMORROW X TOGETHER.
A larger opening for the NO LABELS series
NO LABELS: PART 02 moved quickly from release day. The album reportedly passed 660,000 copies on its first day, then rose to No. 1 on Hanteo’s weekly album chart for the July 6-12 tracking period after only a few days of sales were counted.
The first-week figure represents an increase of more than 136,000 copies over Yeonjun’s previous solo opening. In practical terms, that jump suggests the NO LABELS concept is gaining durability rather than relying on the novelty of a first solo release.
Yeonjun has long been positioned within TXT as a performance-centered member, and the new result strengthens the commercial case for his solo work. While group activity remains central to TXT’s global profile, the sales record shows that his individual releases can generate their own event-level attention.
Ice Cream gives the album a social media engine
The album’s lead track, Ice Cream, has also helped keep the release visible beyond physical sales. The song has been tied to a fast-moving dance trend, with more than 67,000 TikTok videos using the track, according to the source report.
Short-form platforms have become a second scoreboard for K-pop releases. A strong album-sales week can prove dedicated purchasing power, but a repeatable dance point can keep a song circulating among casual viewers who may not follow chart updates or fandom sales goals closely.
In Yeonjun’s case, the choreography has been a major part of the track’s identity. He personally contributed to creating the dance, and fan discussion has focused on how the routine balances relaxed summer styling with precise performance details. The easily clipped section around the song’s hook has made the challenge especially suited to repeat viewing.
The trend has also benefited from participation by other artists. Fellow TXT members and names from across the K-pop field, including ITZY’s Yeji, SEVENTEEN’s Dino, TWICE’s Momo, and MEOVV members Suin and Ella, were cited among those helping broaden the challenge’s reach.
Video numbers add to the release’s early momentum
The Ice Cream music video has added another marker of public interest. It reportedly crossed 10 million YouTube views roughly three days after release, then passed 20 million views by its sixth day.
Those figures do not carry the same meaning as album sales, but together they point to a release that is working across several parts of the K-pop ecosystem. Fans bought the album early, short-form users amplified the choreography, and the music video continued to draw repeat traffic through the first week.
The timing is useful for Yeonjun as the NO LABELS series defines what his solo lane looks like. The project is framed around personal expression and individuality, a theme that gives him room to separate his solo image from TXT’s group storytelling without presenting the two as competing identities.
The milestone also arrives as TXT continues to maintain a busy public schedule. The group is listed to appear at KMA 2026 on July 25 at Korea University’s Hwajeong Gymnasium in Seoul, keeping Yeonjun’s solo momentum connected to wider group visibility.
For now, the headline number is straightforward: NO LABELS: PART 02 has given Yeonjun a new solo peak. The larger question is whether its combination of physical demand, choreography-driven sharing, and steady video attention can turn the NO LABELS series into a longer-running platform for his individual artistry.
Comments